Jumat, 20 September 2013

Posted by audleycordellleroipavoni on September 20, 2013 in | No comments

Free Download Dr. Anarchy’s Rules for World Domination: (Or How I Became God-Emperor of Rhode Island)

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Dr. Anarchy’s Rules for World Domination: (Or How I Became God-Emperor of Rhode Island)

Dr. Anarchy’s Rules for World Domination: (Or How I Became God-Emperor of Rhode Island)


Dr. Anarchy’s Rules for World Domination: (Or How I Became God-Emperor of Rhode Island)


Free Download Dr. Anarchy’s Rules for World Domination: (Or How I Became God-Emperor of Rhode Island)

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Dr. Anarchy’s Rules for World Domination: (Or How I Became God-Emperor of Rhode Island)

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Audible Audiobook

Listening Length: 7 hours and 40 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Tantor Audio

Audible.com Release Date: August 15, 2017

Whispersync for Voice: Ready

Language: English, English

ASIN: B074CLLKPF

Amazon Best Sellers Rank:

I'm a big fan of the Waldo Rabbit series of fantasy novels. I'm also someone who has made a decent living publishing novels about supervillains. So, when Nelson Chereta decided to do a book about the God Emperor of Rhode Island, I was sold from the beginning. Still, there have been a lot of books about supervillains. There's the D-List Supervillain series, the Supervillainy Saga (which is the best), and the original Soon I Will Be Invincible. Could Nelson Chereta really add something new to it all? Well, the answer is yes. If there's a few jokes which have already done before then they're outnumbered by the easy good humor throughout. The premise is Doctor Anarchy is a top-tier supervillain but exists in the penumbra between A-list and B-List. He's got his own island stronghold, an army of killbots, and regularly steals millions from the Cartels without consequence. Unfortunately, he's not the nemesis of his archenemy in the Dark Detective. As a running joke in the book goes, Doctor Anarchy isn't the Dark Detective's nemesis, Whiteface is. Doctor Anarchy is closer to being the Scarecrow or Elektro versus the Joker or Doctor Octopus. Not that he's willing to acknowledge it. One day, while walking the beach on his island lair, Doctor Anarchy finds a ninja who has been left to die after having her limbs cut off. Rebuilding her stronger, faster, and more deadly--Doctor Anarchy finds himself with a lieutenant (she prefers sidekick) called Raven. This results in him getting a perky female villain who pretty much regularly trash talks him as he tries to explain why he does the things he does. Honestly, the Doctor Anarchy/Raven relationship doesn't quite work the same way the Waldo Rabbit one does. In the Waldo Rabbit series, the protagonist's love interest has reason to call our antihero out because he's woefully ignorant about life outside of his Mordor-esque homeworld. Instead, Raven is constantly calling out Doctor Anarchy for acting like a supervillain...in a world which operates by superhero and supervillain rules. As such, instead of coming off as the only sane woman or even Scott Evil, she kind of just comes off as ignorant. For example, at one point she freaks out for the fact he's stealing from the Cartels and he just calmly points out he's done it before when you'd think anyone living in a supervillain world (particularly one where a Doctor Doom EXPY has taken over the planet) would think of them as small potatoes. It doesn't endear Raven to the reader even if she does redeem herself by the end. Nelson Chereta makes a point that Doctor Anarchy isn't a misunderstood good guy and there's several moments he does actually evil things, albeit he does a nice job of making them so over the top you lose your sense of horror and it becomes funny. He kills the local equivalent of James Bond by accident (which you'd think he'd want to advertise given his lack of respect) and also regularly murders his "henchmen" even when they don't want to be henchmen. Despite this, I was entertained by the book throughout. The humor is crisp, the parody fun, and there's a bunch of really good moments throughout. I also liked the climax with the alien invasion as we finally have the Dark Detective tell Doctor Anarchy what he REALLY thinks of him. Honestly, Doctor Anarchy and he should team up more often as the DD is pretty awesome. Fans of superheroes are, of course, the people who will get the most out of this but I think the comedy is broad enough to entertain just about everyone. I also love the fact he managed to deconstruct quite a few tropes like world conquest by science god as well as the interpersonal relationships of villains. Strangely, my favorite scene in the book may just be Doctor Anarchy showing up at a civilian wedding in costume. That was awesome. One small warning in that, like the Waldo Rabbit books, this novel is "unconventionally" edited with no indents and spaces between paragraphs. Once I got used to it, it was no problem. Those who are obsessive about grammar, though, will probably set themselves on fire with a disintegration gun.9/10

Another fun book from this author. In a land where superpowers exist the author chose his protagonist to be merely "one of the smartest" people in the world. This was a great choice since this was another character that had to outsmart rather than overpower his enemies - and many times he couldn't outsmart them either. He wasn't a hero or anti-hero, just a guy with a big chip on his shoulder but in the end had just enough self awareness to avoid major disasters. i was disappointed this book came before book 3 of the rabbit series, but in the end it was a pleasant distraction.

I only give 5-star ratings to books that I read more than once. I've read the tale of Dr. Anarchy three times, and it hasn't lost any of its flair despite the fact that I know exactly what's going to happen. The story is filled with clever tricks, a spunky ninja, consistent characters, death rays, and an ending that takes the reader by surprise, which is frankly an impressive achievement given that the ending is right there in the title. If you're interested by the idea of a look into the inner motivations of a professional supervillain, give this a go. You won't be disappointed.

I bought this book partly to support the author but mostly because its just so damn funny. I loved the Waldo Rabbit series and loved this one too. Story is nothing new or original but it does a good job of parodying comic book heroes, batman is the dark detective, and superman is called super soldier. Overall, the book makes enough insightful comments through the character's actions and words that I thoroughly enjoyed it.

This book is truly funny! The satire is hilarious! The anti-hero and anti-heroine have your typical love story while being very bad people.

OK, I wish this was a series, because I love the two lead characters and their repartee.This was a page turner and simply a pure laugh out loud joy to read.

A massive fan of his Naruto fanfics, as well as the Waldo Rabbit series, I keep close watch on whatever Nelson Chereta writes. Dr Anarchy is realistically hilarious character sure to make you laugh, and his accomplices, nemesis, and rivals help make one hilarious comedy mocking our classic DC heroes.

This isn't the type of story I normally read nor is this format either but I really enjoyed the characters and how the story was written. Some parts whereby explained great but the author made up for it with how well the story flowed on, making the detail not as important. I really hope the author writes a sequel.

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Dr. Anarchy’s Rules for World Domination: (Or How I Became God-Emperor of Rhode Island) PDF

Kamis, 12 September 2013

Posted by audleycordellleroipavoni on September 12, 2013 in | No comments

Ebook , by Adam Sawyer

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, by Adam Sawyer

, by Adam Sawyer


, by Adam Sawyer


Ebook , by Adam Sawyer

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, by Adam Sawyer

Product details

File Size: 21319 KB

Print Length: 330 pages

Publisher: Reedy Press LLC (November 27, 2018)

Publication Date: November 27, 2018

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B07KXZC135

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Amazon Best Sellers Rank:

#186,489 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

This book is wonderful! I bought it hoping to explore some new places and all I can say is each place ive visited so far has been a delicious delight. He shares the stories of some of the most remarkable restaurants, one is even an old gas station from the 1930’s! Here’s a pic of my favorite so far, including some slices I grabbed while checking off my important to eat list.

This book covers all locations around the Portland area, no cravings unanswered!Highly recommend as the perfect research resource for your next date night in Portland.

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Kamis, 29 Agustus 2013

Posted by audleycordellleroipavoni on Agustus 29, 2013 in | No comments

Ebook

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Ebook

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Product details

File Size: 4956 KB

Print Length: 207 pages

Publisher: Esri Press (October 10, 2012)

Publication Date: October 10, 2012

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B00APK06JK

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Amazon Best Sellers Rank:

#1,107,413 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

I have been working in GIS for more than 17 years. I caught the bug in graduate school, where a brief few weeks in a plenary studio with Dana Tomlin convinced me that this was some interesting stuff about which I wanted to learn a lot more. Learning GIS from Dana Tomlin was quite a privilege. He has a unique teaching style that uses a combination of rich metaphor and creative descriptions of physical scenarios in order to describe complex concepts. It was a formative experience for me, and caused a significant shift in my career toward geospatial analysis.Dana built his academic reputation around the development of Map Algebra, a conceptual framework for processing geographic data that he originally articulated in his doctoral thesis. This work, which he referred to as "Cartographic Modeling" (Map Algebra has since become a more popular moniker) was outlined in a book released in 1990.The book itself was important, but the influence of Dana's work was enhanced by his decision to openly share the source code that demonstrated the concepts as well as a number of elegant algorithms for implementing the computation in efficient ways. As a consequence, Map Algebra concepts and algorithms became part of every commercial and open source GIS platform that supported raster processing.When I first took a class with Dana in 1995, the book was already becoming tough to find, and there are still used copies of the Prentice Hall edition floating around, but it's been out of print for several years. So I was thrilled when I learned that Dana was going to collaborate with Esri Press to re-publish a revised version of the book. This book is the fruits of that collaboration, and I couldn't wait to crack it open.This is not just a republication - it's a significant update on the original book. Unlike many contemporary GIS books, Dana and the editors elected to eschew color illustrations in favor of the original gray-scale approach. However, every illustration and map has been redrawn, and they a wonderful compliment to the text. I think the decision to stick with gray-scale illustrations was a smart one, though I am somewhat less sanguine about the gray-scale maps; many are quite successful, but some of have only a narrow range of b/w values and the resulting lack of contrast causes them to look muddy to my eye.Dana has also retained the original data sets around the "Brown's Pond" site located near his home in western Massachusetts. By using the same site to illustrate the concepts, the chapters have a great deal of continuity, enabling the reader to focus on the material, rather than interpreting the data. The book also retains its focus on teaching and learning; each chapter ends with a series of questions to help the learner apply the material.The book ends with an appendix that describes some of the nuances of the cartographic modeling language. At this point, it is important to note that while Esri Press is publishing the book, it is not tied to Esri's ArcGIS software in any way. While every raster processing software has adopted Dana's overall modeling framework, the terminology has rarely remained intact. Esri's implementations have not been an exception, and the current set of tools in the ArcGIS Spatial Analyst extension have their own unique nomenclature and categorization system.But Esri has resisted the urge to turn this into a self-serving book that supports their own ArcGIS software platform. Rather, similar to some of the other Esri Press books that focus on foundational concepts in GIS (Semiology of Graphics and The Look of Maps come to mind), the book is aimed at all learners of GIS. Esri deserves a great deal of credit for demonstrating a generosity of spirit that compliment's Tomlin's own commitment to openly sharing his work.So regardless of the GIS platform you use, if you want to learn about spatial modeling, this book is a great place to start.

I had to read this book for a graduate class and struggled to get through it each week. The writing was extremely technical (as to be expected I suppose) and was very dry. I understand it is a very technical topic, but I have read very technical books on GIS that are not this dry. I needed to take breaks after a few paragraphs. The information was beneficial to any GIS professional, but I just feel as though the material could have been presented in a better fashion. More real world examples would have helped to drive home the information this book presented.

This is an excellent book to have in your GIS library, but I would not recommend it as an introduction to GIS.The first chapter is like a data dictionary of GIS term. Each one is defined, along with discussion of the ramifications of various implemations. It really opened my eyes to some considerations I had not thought of.The rest continues in a manner that continues to cover the ramifications of various choices.A great reference, but to dry and slow for a first GIS book.

Everything I expected.

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Jumat, 28 Juni 2013

Posted by audleycordellleroipavoni on Juni 28, 2013 in | No comments

PDF Download Mark Guiliana - Exploring Your Creativity on the Drumset

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Mark Guiliana - Exploring Your Creativity on the Drumset

Mark Guiliana - Exploring Your Creativity on the Drumset


Mark Guiliana - Exploring Your Creativity on the Drumset


PDF Download Mark Guiliana - Exploring Your Creativity on the Drumset

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Mark Guiliana - Exploring Your Creativity on the Drumset

Product details

Paperback: 88 pages

Publisher: Hudson Music; Pap/DVD/Ps edition (October 10, 2016)

Language: English

ISBN-10: 1495076407

ISBN-13: 978-1495076404

Product Dimensions:

9 x 0.2 x 12 inches

Shipping Weight: 11.2 ounces (View shipping rates and policies)

Average Customer Review:

4.9 out of 5 stars

13 customer reviews

Amazon Best Sellers Rank:

#307,046 in Books (See Top 100 in Books)

This book is amazing and is a must have for any serious drummer and educator!!

Complete and clean explanations. Great Book!!

Love this books approaxh. Gives you an idea to base off of and then leaves it up to you to find your own sound.

The only reason I give it less than 5 stars is because I detest instructional books that leave open space for you to "write your own" exercises. The book would be half as long without those pages... They are numerous. The ideas discussed within are valuable, and the online content is more than a couple hours long, so it's a solid instructional.

Excellenet material! Interesting perspective for being creative! Every drummer should have this book! Thanks Mark!

Fantastic content ... but very disgusted with DVD not working on my modern TV /audio screen.OK .. Laptop only. BAD ... for the price paid.

this book just amazing.. and shippin was soooooo fast and safe! cya

Great book.

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Mark Guiliana - Exploring Your Creativity on the Drumset PDF

Mark Guiliana - Exploring Your Creativity on the Drumset PDF
Mark Guiliana - Exploring Your Creativity on the Drumset PDF

Selasa, 25 Juni 2013

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Get Free Ebook Who Were the Beatles? (Who Was--?), by Geoff Edgers

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Who Were the Beatles? (Who Was--?), by Geoff Edgers

Who Were the Beatles? (Who Was--?), by Geoff Edgers


Who Were the Beatles? (Who Was--?), by Geoff Edgers


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Who Were the Beatles? (Who Was--?), by Geoff Edgers

About the Author

Geoff Edgers, is a reporter at The Boston Globe and lives in Arlington, Massachusetts. He is the author of Who Was Elvis Presley? and co-author of Who Was Julia Child? 

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Product details

Age Range: 8 - 12 years

Grade Level: 3 - 7

Lexile Measure: 670L (What's this?)

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Series: Who Was?

Paperback: 112 pages

Publisher: Penguin Workshop (January 5, 2006)

Language: English

ISBN-10: 9780448439068

ISBN-13: 978-0448439068

ASIN: 0448439069

Product Dimensions:

5.3 x 0.2 x 7.6 inches

Shipping Weight: 4 ounces (View shipping rates and policies)

Average Customer Review:

4.7 out of 5 stars

98 customer reviews

Amazon Best Sellers Rank:

#18,797 in Books (See Top 100 in Books)

I bought this book for my 7 year old daughter. She loves the Beatles music, and knows only what I choose to tell her about their personal lives. She does not need to be told about the war in Vietnam, protesters, or the death of Martin Luther King. She does not need to be told of the Beatles drug use. She does not need to know that John Lennon was murdered. I will teach her of these things when the time is right for it. I had hoped that this book wasabout how four simple young men from Liverpool became one of the greatest musical acts of our age. An inspiration for my young musician daughter. Sorry to say it falls short of that goal. Not recommended for kids!

I wish this series had been around when I was a kid! So far, I have purchased Jim Henson, Dr. Seuss, George Lucas, The Beatles and Walt Disney for my son. These books are a great way for me to introduce the people who have always inspired me, to my own children. I believe that reading about different creative talents throughout history is not only a great way for kids to learn but also a great way to inspire them. We always have great conversations when we discuss the people from these books because we teach each other new things.

This series is great to introduce kids to historic and culturally significant personages. Perfect especially for a Beatles-obsessed third grader! It actually made him interested in reading!

Simple, informative and to the point.

My son loves the Beatles and loved learning more about them. I read aloud to him in first grade bc it was a little lengthy and a bit hard for him. But second graders and up could handle this book easily.

As usual these books are great. My kids learn a lot reading those while me and I know other parents read them too. In this particular case, I learnt a lot about The Beatles.

I bought these for my third grade classroom. They are great for the biography genre and then to use for report writing. The three years I've used them so far the kids LOVED them. Easy for their reading levels, informative, and people they have heard of in their lives. They would read their own and then read other that they had heard of. Could have left these books out 1/2 year and they would have still been reading them.

Brother was happy with the book. He had planned on buying it; but hadn't yet, so it was a nice surprise for him.

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Senin, 10 Juni 2013

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Free Download Verification and Validation in Scientific Computing

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Verification and Validation in Scientific Computing

Verification and Validation in Scientific Computing


Verification and Validation in Scientific Computing


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Verification and Validation in Scientific Computing

Review

"This ambitious and well-written book is an excellent comprehensive review of what you need to know to evaluate or build a complex model or simulation of a physical process." Joan Horvath, Computing Reviews

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Book Description

Advances in scientific computing have made modelling and simulation an important part of the decision-making process in engineering, science, and public policy. This book provides a framework for assessing its reliability and addresses inherent uncertainties, numerical approximation errors, and modeling errors.

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Product details

Hardcover: 790 pages

Publisher: Cambridge University Press; 1 edition (November 22, 2010)

Language: English

ISBN-10: 0521463408

ISBN-13: 978-0521113601

ASIN: 0521113601

Product Dimensions:

6.9 x 1.8 x 9.7 inches

Shipping Weight: 3.7 pounds (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

2 customer reviews

Amazon Best Sellers Rank:

#980,548 in Books (See Top 100 in Books)

Nice book for this subject from the experts in the field.

This book is an excellent resource for anyone dealing with concepts of verification and validation. This was an important part of my thesis work, and this reference was invaluable in providing a much-needed comprehensive overview of the verification and validation literature. Both Oberkampf and Roy have done much pioneering in the field of V&V, so the reader is in good/capable hands. The book covers some fundamental V&V concepts, then moves into code verification and software quality assurance (Part II) and solution verification (Part III). It then covers model validation (Part IV), and covers issues in implementation, planning, and management and use of V&V in these activities (Part V). Part V is perhaps the most unique part of the book, but the coverage in all parts of the book is thorough.This, along with Roache's "Verification and Validation in Computational Science and Engineering" (1998), proved to be an excellent survey of the field. (Much less helpful was the Salari and Knupp's "Verification of Computer Codes" (2002)). Coleman's "Experimentation, Validation, and Uncertainty Analysis for Engineers" (2009) has a more heavily experimental flavor, but is another great resource in this field.

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Selasa, 28 Mei 2013

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Download The Great British Recording Studios, by Howard Massey

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The Great British Recording Studios, by Howard Massey

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The Great British Recording Studios, by Howard Massey


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The Great British Recording Studios, by Howard Massey

Review

"One of the most important books ever written about recording ... a treasure trove of information about the British studio scene during its most explosive period of growth." --Malcolm Atkin, Chair, Association of Professional Recording Services''The Great British Recording Studios is a sweeping account of the golden age of UK recording. In it, author Howard Massey chronicles the cultural forces and technological innovations that shaped the sound of landmark records by The Beatles, The Who, the Rolling Stones, and many others. His profiles of iconic studios from Abbey Road to AIR to Olympic leave no stone unturned detailing everything from construction history to equipment lists to discographies to sessions anecdotes, including vintage marketing materials and many never-before-seen photos.'' --Electronic Musician Magazine''Let's not mince words. As a touring musician-producer-engineer-author-music journalist, Howard Massey is uniquely qualified to do what he has accomplished in writing The Great British Recording Studios. He has documented the definitive history of the British recording studios that brought the art of sound recording to a level that spurred, and was spurred by, a breathtaking outpouring of musical creativity in the 1960s and '70s—led, of course, by The Beatles and their insatiable curiosity regarding sound and sonic effects....Too much praise cannot greet The Great British Recording Studios. An invaluable historical document, and also one rousing ride through the most incredible musical era of the 20th Century. This book has it all. Mark it essential.'' - Mix Magazine''With a foreword by Sir George Martin, former musician-producer Howard Massey has constructed an exhaustive, beautifully presented account of very major studio from those seminal times, giving detailed histories, discographies, layouts, technical breakdown and over 100 memories from the artists and production staff who used them...With most of these studios now gone, this is the first time anyone has attempted such a project. This fascinating tome will now stand as the definitive account.'' - Prog Magazine

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From the Inside Flap

From the time that Thomas Alva Edison invented the phonograph, music has become an integral part of everyday life. The so-called "British Invasion" of the 1960s and 1970s spearheaded what was inarguably one of the most important and creative periods in the development of recorded music. The Great British Recording Studios tells the story of the iconic English recording studios of that era--places such as Abbey Road, Olympic, Trident, AIR, Advision, Island, and Apple--and provides a sweeping panorama of the people, places, groundbreaking techniques, and innovative artists and technicians who shaped the course of modern recording. Meticulously researched and richly detailed, The Great British Recording Studios provides comprehensive information about the history, construction techniques, acoustic treatments, room dimensions, and equipment used by the key English studios during those heady times, supplemented with many never before published photographs and more than a hundred entertaining "Stories from the Studio" that take the reader behind the scenes of the making of some of the world's best-loved records. The Great British Recording Studios is endorsed by and was written with the cooperation of the UK-based Association of Professional Recording Services, headed by Sir George Martin.  Â

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Product details

Hardcover: 376 pages

Publisher: Hal Leonard (October 1, 2015)

Language: English

ISBN-10: 9781458421975

ISBN-13: 978-1458421975

ASIN: 145842197X

Product Dimensions:

8.4 x 1 x 10.4 inches

Shipping Weight: 2.9 pounds (View shipping rates and policies)

Average Customer Review:

4.7 out of 5 stars

34 customer reviews

Amazon Best Sellers Rank:

#143,321 in Books (See Top 100 in Books)

I was interested in learning about various key recording studios, the gear they had, the room layouts and dimensions and sound treatments, the people who ran the sessions and their techniques. The two main books that came up were this book (TGBRS) by Howard Massey, dealing with British studios, and "Temples of Sound" (TOS) by Jim Cogan and William Clark, which is about American studios. TOS was published in 2003 while TGBRS was published in 2015. Now that I've read them both, I can make some comments. Both books are easy and enjoyable to read. My only gripe with both books is that I wish the lists of important recordings made at each studio was significantly longer.The initial idea for TOS was a photo book of great musicians in the recording studio creating their masterpieces. There are a lot of photos and they capture the feeling of being there. Each chapter is 8-15 pages dedicated to one studio: Capitol, United Western Recorders, Sunset Sound, RCA Studio B, Stax, Sun Studios, J&M, Chess, Universal, Motown, Sigma, Atlantic, Columbia, Van Gelder, Criteria. You get a brief history focusing on the biggest stars, producers, engineers. Little focus is on the gear, room and treatments, and techniques used to record. It's more about the people and the times, and not how the classic recordings were made (from a technical or engineer pov). A nice feature is a list of 12 "essential" songs that were recorded in each studio. This book has become very hard to find and very expensive (maybe it's out of print?). I'm glad I did not pay more than $20 for it (I found a mint condition ex-library book copy via Amazon.ca third-party vendor), as I probably could have found all its information by searching the internet.TGBRS is a far more thorough book and more about the building, rooms, gear, engineers and their techniques than it is about the famous artists. This information is not so easily found on the internet, and it's collected here very nicely. The studios covered in this book are: Abbey Road (EMI), Decca, Pye, Philips, IBC, LAnsdowne, Advision, CTS / The Music Centre, Holloway Road, Olympic, trident, AIR, LEvy's / CBS / Whitfield Street, Star Sound / Audio International, De Lane Lea / Kingsway, Ryemuse / Mayfair, Marquee, Sound Techniques, Wessex, Morgan, Chappell, Chalk Farm, Apple, Island / Basing Street, Pathway, The Manor, Scorpio Sound, Chipping Norton, Ramport, Sarm, Sawmills, Roundhouse, RAK, Utopia, Good Earth, Matrix, Townhouse, Ridge Farm, Odyssey. Also covered are these mobile studios: Rolling Stones, Pye, Ronnie Lane, Manor, Island, RAK, Maison Rouge. The mobiles section is very interesting and a nice addition. It would have been nice to read about American equivalents, had it been included in TOS.In TGBRS, the information for each facility follows the same sequence, which is a nice organizational touch: history of the building and studio, key personal, physical facilities, acoustic treatments, room dimensions, echo chambers, key equipment, mixing consoles, monitors, tape machines, main microphones, outboard signal processors, key technical innovations, selected discography. There's obviously more information and pages dedicated to the larger studios but the book seems to have balanced it out well.TGBRC gives you a lot more information than TOS. The 14-page Introduction is an excellent summary of the origins and history of British recording studios, as well as an explanation of the difference between the British and American recordings. The history and explanations of all the equipment and technical gear (microphones, monitors, tape machines, outboard signal processors, reverb plates, mixing consoles, etc.) is given, and it's excellent. Lots of inside stories about key recordings and techniques. At the end of the book is a glossary of technical terms.Oddly enough, TGBRS is written by an American, Howard Massey, who has already published two other excellent books called Behind the Glass, Volumes 1 & 2, full of interviews with important recording engineers. All these books are highly recommended for music history buffs and musicians with home studios.

Hands down the best book on the subject! Perhaps the only book of its kind.Massey said in an interview that he spent 10 years researching this book and it shows. The book is very detailed and very well written. Massey has a template to describing the history of each of the major recording studios in Britain of the day to a given studio's engineers, associated staff, facility dimensions, acoustic treatments, consoles, monitors, microphones, signal processing equipment, tape machines, developed innovations interspersed with lite hearted stories by studio staff that are rather comical.Massey has produced an outstanding documentation of the mechanism behind the creation of the English Pop music of 60s, 70s, and 80s that has become so integral to our every lives. This book should be Ken Burns next series. It's that good!If your are a musician, recording enthusiast, or audio gearhead, this book is for you. You won't be disappointed.

"Suddenly, good sounds were being made in good studios. Not just from the big boys like EMI and Decca, but also in little independent studios that gave free rein to their clients." George Martin."A recording studio is an immediate imposition as compared to sitting around a fire strumming." Robert Plant.I know this book has been around a few years and has been reviewed, but I was looking up some information I needed and was again struck on how great this book is, so I couldn't help but add my comments about this fine book.Not only laid out nicely, this book covers the major and minor studios, that if you read the back of album covers or CD inserts, you''ll recognize quite a few of the studios in this book. Filled with both general and more technical information (which you can skip unless you're an audio engineer and/or even more of a recording information nerd than I am) there's also a lot of great photos that give you an idea of what these studios were like. Plus at the end of each essay there's a list of important artists/recordings that were done at that particular studio.This book's information runs the gamut from general information that's easy to understand to more esoteric stuff (different mixing consoles, monitors, signal processors, etc.) that mean relatively little to someone like me, or things like a de-emphasis curve chart (as an example) which, while important aren't the real reason I like this book. Having for years read the names of studios like EMI, Decca, Phillips, Trident, AIR, and other well known studio names, along with other smaller studios like De Lane Lea, Morgan, Chalk Farm, Island, The Manor, RAK, Roundhouse, and others, it's great to be able to see these studios in photos (and a number of artists in the studios you'll recognize) and read about these places of seemingly audio magic. Plus the various mobile studios are included, like The Rolling Stones Mobile, Pye Mobile, Ronnie Lane Mobile, and several others which are also important in the history of British recording.There's a glossary and index included, both valuable to have for quicker reference. Also throughout the book are interesting and informative sections called "Stories From The Studio" which add both more information to the general body of information and are pretty interesting to read on their own. The many b& w photos (and some color) are very important for a better understanding and feel of each studio. If you're the type of person (like me) who likes to know how recordings are made (and you like other books about how albums are manufactured for example) this book will add a lot of interesting information about all the places where so much great music has been recorded. These studios represented the hey-day of British recording and this book does justice to that era. Worth adding to your library.

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