Minggu, 30 Oktober 2011

Posted by audleycordellleroipavoni on Oktober 30, 2011 in | No comments

Ebook Download Weather Words and What They Mean, by Gail Gibbons

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Weather Words and What They Mean, by Gail Gibbons

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Weather Words and What They Mean, by Gail Gibbons


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Weather Words and What They Mean, by Gail Gibbons

Review

"An attractive introduction for weather units."—School Library Journal"As usual with Gibbons, the colors are fresh and the format friendly. . .  a useful start toward making sense of the jargon that tells us which way the wind blows."—Booklist

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About the Author

According to The Washington Post, Gail Gibbons "has taught more preschoolers and early readers about the world than any other children's writer-illustrator." The multi award-winning Ms. Gibbons is the author of more than 100 books for young readers, including the bestselling titles From Seed to Plant and Monarch Butterfly. Her many honors include the Regina Medal, the Washington Post/Children's Book Guild Nonfiction Award and the NSTA Outstanding Science Trade Book Award.

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Product details

Age Range: 4 - 8 years

Grade Level: Kindergarten - 3

Lexile Measure: 580 (What's this?)

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Paperback: 32 pages

Publisher: Holiday House; Reprint edition (January 1, 1990)

Language: English

ISBN-10: 082340952X

ISBN-13: 978-0823409525

Product Dimensions:

9.8 x 0.1 x 8 inches

Shipping Weight: 4 ounces (View shipping rates and policies)

Average Customer Review:

4.8 out of 5 stars

32 customer reviews

Amazon Best Sellers Rank:

#24,270 in Books (See Top 100 in Books)

I love Gail Gibbons books! Her books do such a great job of explaining information without dumbing anything down. I picked this up when my 4 year old was asking all sorts of questions about the weather. We homeschool , so I decided to do a whole weather unit for her and this book fit in nicely. Weather Words does a great job of explaining weather topics and situations in a simple and engaging way. My kids loved the illustrations. It been almost a year since I bought this book and it is still a favorite.

Hollar for Gail Gibbons! Kid said "I understand the weather now. I want to read more!" Inpatient Grandma said, "I learned a lot. Who knew at my age that I could learn so much about the weather from a children's book." Distractible child said "It was clear. I like how the pictures are laid out. It's not crazy busy." Mom said, Just Perfect. Good quality for a paperback edition. No dumbing things down, but clearly written for a youth audience.

I got this book for my grandson's 4th birthday, along with "My First Weather Station" from Plow and Hearth. He was starting to become interested in weather and was asking questions like, "Where does snow come from?" and "Why is it foggy?" This book answers many questions like that, and is quickly becoming one of his favorite books.

This has been a wonderful resource for my 3 and 4 year old boys as we are learning about the weather. The perfect balance of information and illustrations. This book does a very good job at explaining the terminology without dumbing it down. -Maggie D

Arrived Quickly, just as described.

Great book, with just enough text to give an introduction (and an opening for further, detailed explanation) for each concept. Simple, direct illustrations.

my daughter uses this book to teach her kindergartners about weather. they love it.

I am a third grade teacher and we were studying weather. This was a great book to explain some of the words associated with weather.

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Sabtu, 22 Oktober 2011

Posted by audleycordellleroipavoni on Oktober 22, 2011 in | No comments

Ebook Download Small Animal Internal Medicine, Third Edition

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Small Animal Internal Medicine, Third Edition

Small Animal Internal Medicine, Third Edition


Small Animal Internal Medicine, Third Edition


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Small Animal Internal Medicine, Third Edition

Product details

Series: Small Animal Internal Medicine

Hardcover: 1392 pages

Publisher: Mosby; 3 edition (May 19, 2003)

Language: English

ISBN-10: 032301724X

ISBN-13: 978-0323017244

Product Dimensions:

8.5 x 2 x 11 inches

Shipping Weight: 6.6 pounds

Average Customer Review:

4.2 out of 5 stars

20 customer reviews

Amazon Best Sellers Rank:

#2,740,665 in Books (See Top 100 in Books)

I just graduated veterinary school, and the internists refer to Ettinger as their Bible. Sure, it may be true that Ettinger is more complete than Nelson - after all, it's two volumes compared to one. However, in the real world, Nelson & Couto is FAR more clinically useful than Ettinger.Nelson reads exactly like Fossum's surgery textbook. It lays out every disease process by system, and then introduces them, describes them, and informs on how best to treat the disease. It focuses on useful details that will help you in clinics. It doesn't go into too much extraneous information that would just make it harder to read (like Ettinger).If you want research detail, get Ettinger. If you want a useful book in clinics or practice, get Nelson & Couto.

Very interesting read, I'm an RVT in Kansas attending Pre-Veterinary courses and reading this in my spare time. This text explores all of the subjects in much more depth than the texts for veterinary technicians.

I find the book lacking in detail I've become accustomed to in Ettinger. I primarily purchased it to use on my iPad, however I am very disappointed with the ebook quality. It takes minimal advantage of the ebook format -hyperlinks are used minimally - for example in the Chapter Outlines at the beginn of each chapter you cannot jump to the subchapters, rather you must go page by page. This is very frustrating and should be one of the distinct advantages of an ebook over paper.Unfortunately the ebook Ettinger did not get a good review either.I will probably write this off and go back to my hard copy Ettinger. The ebook environment for medical or scientific texts is still in its infancy so beware!

got book to have an updated IM book, since my other IM book was more than 10 years old. have not reviewed inside the book in detail yet.

I have returned to practise after a really long break. I have found this text a fantastic resource in helping me restore and build my knowledge base. It is so readable - how many texts could you imagine reading while you eat your breakfast! - with facts, opinion and local user knowledge supplemented by practical tables and diagrams. For every-day veterinary medicine I doubt that there is a better text.

Simple, clear explanations, plenty of pictures and tables. Useful quick reference for every day use. Probably not quite as detailed as Kirk or Ettinger but does not have the complications of multiple volumes (Ettinger's rule is that the page you need is always in the other volume!)

This allows me to carry this text in a much lighter (weightwise) format. Drs. Nelson and Couto are the tops in their fields, and have edited an outstanding book that is necessary in any veterinarian's library. The only knock I have on the kindle version, is the same knock on every kindle medical text I have seen so far. Many times, looking for a topic is not as quick as it is when you are actually holding the real book. Yes, you can get to the index easy enough, but you have to page through the index one page at a time to get to the topic you want. That's ok if you are looking at an auto-immune diseases, not so good if you are looking for stomatitis.

this book is absolutely fantastic. its easy to read and seems to have everything in it. i definitely recommend it! :D

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Sabtu, 08 Oktober 2011

Posted by audleycordellleroipavoni on Oktober 08, 2011 in | No comments

PDF Download From Durrow to Kells: The Insular Gospel-Books 650-800 : With 263 Illustrations, by George Henderson

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From Durrow to Kells: The Insular Gospel-Books 650-800 : With 263 Illustrations, by George Henderson

From Durrow to Kells: The Insular Gospel-Books 650-800 : With 263 Illustrations, by George Henderson


From Durrow to Kells: The Insular Gospel-Books 650-800 : With 263 Illustrations, by George Henderson


PDF Download From Durrow to Kells: The Insular Gospel-Books 650-800 : With 263 Illustrations, by George Henderson

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From Durrow to Kells: The Insular Gospel-Books 650-800 : With 263 Illustrations, by George Henderson

Product details

Hardcover: 224 pages

Publisher: Thames & Hudson; First U.S. Edition edition (July 1, 1987)

Language: English

ISBN-10: 0500234744

ISBN-13: 978-0500234747

Package Dimensions:

10.6 x 8.6 x 1.1 inches

Shipping Weight: 2.6 pounds

Average Customer Review:

4.0 out of 5 stars

2 customer reviews

Amazon Best Sellers Rank:

#3,654,932 in Books (See Top 100 in Books)

Excellent and insightful survey of this material; the only problem is that all the images are in black and white. The book arrived quickly, in good shape and was described accurately by the seller.

Great resource. Good information and lots of high quality picture. What I wouldn't give to have a color edition though.

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From Durrow to Kells: The Insular Gospel-Books 650-800 : With 263 Illustrations, by George Henderson PDF
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Kamis, 29 September 2011

Posted by audleycordellleroipavoni on September 29, 2011 in | No comments

Ebook Free Berserk, Vol. 16, by Kentaro Miura

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Berserk, Vol. 16, by Kentaro Miura

Berserk, Vol. 16, by Kentaro Miura


Berserk, Vol. 16, by Kentaro Miura


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About the Author

While attending college at Nihon University, in 1988, Kentaro Miura debuted a 48-page manga known as Berserk Prototype, an introduction to the current Berserk fantasy world. It went on to win Miura a prize from the Comi Manga School. In 1989, after receiving a doctorate degree, Kentarou started a project titled King of Wolves based on a script by Buronson, writer of Hokuto no Ken (Fist Of The North Star).In 1990, the first volume Berserk was released with a relatively limited success. Miura again collaborated with Buronson on manga entitled Japan. Miura's fame grew after Berserk began "The Golden Age" story arc and the huge success of this masterpiece made of him one of the most prominent contemporary manga artists.In 1997, Miura supervised the production of 25 anime episodes of Berserk that aired in the same year on NTV. The series has also spawned a whole host of merchandise, both official and fan made, ranging from statues and action figures, to key rings, video games, and a trading card game. In 2002, Kentaro Miura received the second place in the Tezuka Osamu (Astro Boy) Cultural Prize of Excellence for Berserk. The author lives in Tokyo, Japan.

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Product details

Paperback: 240 pages

Publisher: Dark Horse Books (April 10, 2007)

Language: English

ISBN-10: 1593077068

ISBN-13: 978-1593077068

Product Dimensions:

5.1 x 0.7 x 7.2 inches

Shipping Weight: 7.2 ounces (View shipping rates and policies)

Average Customer Review:

4.9 out of 5 stars

23 customer reviews

Amazon Best Sellers Rank:

#22,691 in Books (See Top 100 in Books)

This is the 16th volume in the Berserk series and finishes the story arc involving The Misty Valley, Jill, and the Queen of Elves. The Queen of Elves’ true background is also revealed.Guts gets beat up pretty bad during his battle with the Queen of Elves and is immediately set upon by the Holy Iron Chain Knights lead by Lady Farnese. After winning a duel with one of their knights, Guts is beset upon by multiple knights and ends up captured.The illustration continues to be very well done. This volume was very violent and gory, just like previous volumes. There were some awesome fight scenes between both Guts and the Queen of Elves and Guts and the Holy Iron Chain Knights. There was tons of action in this volume but not as much story development.Overall this was a great continuation of this series. I prefer a little more story development than was here, but there were a lot of great action scenes. I would recommend to mature readers who enjoy fantasy horror manga.

As the title of my review suggests, there isn't alot of rest for the Black Swordsman in volume 16. The book starts out with Guts fighting the fairy queen, Rosine, who has a few tricks up her sleave for Guts, and ultimately transforms into a more powerful form and the battle takes on a whole new level testing Guts to the limit again. Sadly, after a well deserved and hard fought victory, he encounters the Holy Chain knights, who have terrible timing since he just fought one of his toughest foes yet, and is captured. The leader of the Holy Chain Knights, Lady Farnese, becomes more than a little frustrated with Guts' disreguard for their religious beleifs, and she reveals a deeply conflicted personality, one that hopefully we will get to learn more about and see her character grow in the series.One of the more notable parts of this book are the manifested "Beast of Darkness", an apparition within Guts which taunts him at times and commands him to spill more blood. The Beast takes many shapes but most often it takes the silhouette of a large wolf. Another important note is Guts' image itself, as he seems to appear more like the evil he's fighting than a normal man, as if the horrors he endures again and again have twisted him into something else entirely. It's not the prevalent image of him by far, but in this novel you see Guts' appearance change into something more reminiscent of a monster or a devil, like he belongs in the darkness more, or at least like he is certainly not out of place there to say the least.I thought seeing this side of Guts outside of a battle and during a simple conversation a little exciting and troubling at the same time. It marks an interesting change in Guts' character, one I can't wait to see develop in the story. This was a fairly good novel of the bunch, one that deserves a read, it's also pretty good action and character growth so it goes by faster than some, but it leaves you hanging. None the less, I highly recommend this installment of the series.

If you've made it to 16 you are already hooked. If not, start at vol 1 (it may take some a few volumes to get sucked in, Miura was much younger when he wrote the initial volumes).

As a Berserk fan, you need this volume.

I think this book well summarizes everything I like about the series to date, it has good action scenes, good interactions, and a bit of dark humor.I disagree with an earlier reviewer, I am glad that Dark Horse is now translating the sound effects - I also like the fact that they're not just ham-handedly trying to convert it into English equivalents there are some things for which it just doesn't work. (The 'sound' of something being noticed, for example).

READ THE MANGA

My Fav. Manga of All time.. that's All i need to say..Thank you Kentaro miura for making this epic manga..I bought all the volumes from 1 to 36 and can't wait for volume 37 to come out..

Perfect condition. Great story.

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Kamis, 25 Agustus 2011

Posted by audleycordellleroipavoni on Agustus 25, 2011 in | No comments

Free Download , by Cedar Rose Guelberth

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Product details

File Size: 9247 KB

Print Length: 304 pages

Publisher: New Society Publishers (July 1, 2002)

Publication Date: July 1, 2002

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B0097DDMD8

Text-to-Speech:

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Supported

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Plaster and adobe, well, they belong together. They are a holon, a system, they are like love and marriage... not many adobe people get the value of plaster, lime especially. It's a labor thing, for sure, it's pre-industrial, it's historic, going back to Rome and back and back..... you get the picture. This is the definitive book on plaster. It is written by experts who appreciate the craft and its value to earth builders. It's absolutely necessary if you want to build with adobe and not have problems down the road, from going lazy, or going "modern" and making all kinds of mistakes.Of course, straw bale people need to read this. Cement is evil! Evil! Plaster is good. Good!

This book was recommended by a relative when we were replastering the interior of an old home. It is a very useful book, for any kind of plaster architecture.

Cedar Rose includes lots of information, technique tips and recipes for a variety of different types of plasters. The pictures are helpful as well.

Learn recipes and process for building organic living shapes with plaster.

I just finished building my strawbale home -- and am very grateful for this book. I have nothing but great things to say about it. This book picks up where others leave off. An absolute must if you plan on using natural materials on your home. One must understand that working with natural materials is hardly a science-- and a fair amount of experementing must be done to get satisfactory results. But the effort will be worth it! Get this book-- you won't be sorry. FYI-- I used an earthen plaster (clay,manure,sand) on the interior and exterior, and finished the interior with an alis and the exterior with a lime plaster and lime wash-- beautiful results!

I had been waiting for this book from the publisher for over half a year. While it has many helpful details on the nature of additives and why they would be used, and the application of plasters to different substrates, with emphasis on covering straw bale homes, there are no recipes. This really disappointed me, as I believe I could have figured out how to hold a hawk and trowel, and really, anyone building all or part of their house will likely have passed the point of getting useful information out of the first 84 pages by the time they get to need some eductation on plasters. Hopefully, a saving grace will be the resource guide in the back, but access to that could have been obtained by borrowing it from the library.

Like this book, lots of good info on the topic. It is all that I expected per the reviews I read.

The Natural Plaster Book is an excellent book for people who are interested in environmentally friendly way to create and update a home. I found it very informative and gave me just the information I needed to create my own plaster. Excellent read.

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Minggu, 07 Agustus 2011

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Download PDF , by Sven Beckert

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This is an academic treatment of how the modern industrial economy was born: heavy in detail, clear in analysis, if somewhat dry at times. While much of the ground has been covered elsewhere, the synthesis, breadth, and grand themes that emerge are unavailable in a single volume, to my knowledge. For me, it was a seminal reading experience, a necessary perspective that brought things together in a way that will influence my view of modern society for the rest of my life.The principal idea of the book is that the cotton industry, which represented the first step in the development of the modern industrial economy, was created by slavery and brutal and ever-more-efficient state coercion in cooperation with private capital. Global in scale, this convergence of factors would re-fashion the everyday lives of a majority of people on the planet - subordinating their working days to the rhythms of machines that replaced human muscle labor, opening the way to unprecedented prosperity for many, and enabling decisionmakers far from their homes to control the lives of people they will never meet.Beckert sees several steps in these developments. In the beginning, there was the development of "war capitalism". In a nutshell, this was the forcible appropriation of land and labor, with the cooperation of a primitive form of the state. While cotton had been in use for millenia, it was limited to small, very local, networks at this time. As demand grew and new forms of mechanized manufacture began to appear, war capitalism vastly increased the scale of cotton cultivation, employing slaves to undertake the backbreaking work of clearing the land and then the thankless task of harvesting the cotton - their utility was cheap labor that could be forced to work by any means necessary. Meanwhile, the state aided in the acquisition of land - because it exhausted the soil quickly, cotton cultivation required continual land appropriation - and the displacement or elimination of whomever was unfortunate enough to occupy that land, in most cases Amer-Indians. For their part, capitalist traders emerged in Manchester, a mercantile capital that gained tremendous market influence and political power to bring the state into alignment with their interests.The next phase opened with the invention of new means of production, in particular in the harnessing of chemical power in mills of ever-expanding scale and with elaborate forms of administrative innovation. At the same time, the state got involved with the protection and establishment of markets for their goods, both in supply but also for selling, i.e the distribution of goods. Industry was national and nationalistic. The natural culmination of this was the colonial enterprise. This was the second great legacy of the cotton empire: the de-industrialization and control of vast new territories. For example, the skills required for the production of the fine muslin of India were completely and forever destroyed. The native populations were subjugated to this order, fitting integrally into a hierarchy that exploited them while enriching captains of industry and politicians in colonial capitals. Meanwhile, manufacturing facilities became the source of massive employment, drawing people from the countryside to urban agglomerations that grew to then-incredible proportions.Furthermore, the state remained intimately involved in the development of the economy in the major colonial states, not only in the development of supporting infrastructure, but in the legal subjugation of workers for the protection of the evolving industrial practices. This was the crucial step in the virtuous circle that arose of self-reinforcing economic development, resulting in a far more intricate and complex industrial economy that emerged in the product cycles of related manufactures. It can only be described as a revolution that changed our lives so fundamentally that it is on a par with the neolithic revolution.Of particular interest is the evolution of the political economy of slavery. It was seen as a necessity for cotton production in the American South - a phenomenally profitable enterprise that created capital for further industrial investment that benefited all free Americans regardless of location - and as a crucial basic resource for all the new manufacturing powers. When the American Civil War began, it severely disrupted the world economy, based as it was on cotton, and the industrialized nations desperately sought to increase the supply of raw cotton. After that war, it was proven that low-wage sharecroppers could be counted on to produce cotton in a profitable way, supported as it was by state and private repression of the newly freed slaves. The colonial powers took note of this. In the US South, this arrangement was to survive for almost a full century, when automated cotton picking was finally perfected in the 1940s.The most recent phase of the industry is its globalization, a shift of manufacturing to the former colonies. The real power gravitated to transnational corporations - predominantly retailers like Walmart or Gap - that were no longer subject to coherent national legal jurisdictions, hence largely disconnected from nationalistic considerations. While this caused the precipitous decline of once-prosperous cities like Liverpool, it is part of the ebb of flow of 21C capitalism. Organizational innovation extended to the development of massive logistical networks to handle getting cotton to manufacturers and then distributing their low-cost products in developed nations at a hefty profit. As this is so new, it is the least developed portion of the book. I suspect it decisively locks Third World producers and manufacturers into a lower-value added position, where design and brand generate greater profits for transnational corporations and their shareholders that no longer need to worry about employees in their home base of operation.The implications of the book are of great interest and relevancy. First, it proves that the free classes all benefited directly and lastingly from slavery as an enabler of the first phase of industrialization. Without slaves (and subsequently share croppers or colonial serfs), both investment capital and the self-reinforcing and expanding product base of consumer capitalism would have accumulated far more slowly, perhaps over centuries rather than decades. This is the best argument for reparations that I have yet seen - the line from slavery and colonialism to prosperity for most of us is direct, while the descendants of slaves and serfs remain exploited and oppressed. Second, the state functioned as a crucial support for the development of private enterprise, from protecting nascent industries to enforcing laws that favored the manufacturing class. This flies in the face of neo-liberal ideology, which argues for a "free trade" that locks the developing world into an inferior status.This book is a wonderful intellectual adventure, its ideas are far more subtle than I could ever express here. It is a bit too academic for my taste, covering developments in exhaustive detail, but on the whole it is a page turner. Recommended with the greatest enthusiasm.

At the heart of Harvard history professor Sven Beckert’s award-winning book, “Empire of Cotton: A Global History,” is a simple but compelling syllogism: the wealthy, capitalist world we Americans live in today was created by the Industrial Revolution; the Industrial Revolution was driven by massive productivity gains in textile manufacturing; cotton was the essential raw ingredient that powered textile manufacturing. Thus, if it weren’t for cheap and plentiful supplies of raw cotton, the world we live in today might very well look quite different.The way Beckert tells the story, it seems to me, is that there have essentially been five major epochs in global cotton production and manufacturing.First, for most of world history, cotton was a locally produced and consumed commodity. Eastern Africa, South Asia (India, specifically), and Central America were the cradles of the early cotton industry, which Beckert writes developed independently, yet along similar lines as the raw cotton was processed and spun in close proximity to where it was grown, usually in individual households and by women.Second, over the course of centuries beginning around 1500, Europeans radically transformed the world of cotton through what Beckert calls “war capitalism”: a violent mixture of imperial expansion, slavery, and land expropriation. To start, Europeans captured the international trade network of Indian textiles from the overland Arab traders once sea routes were mapped and key coastal port cities dominated. Control of the transportation network then reinforced the system as African slave traders demanded Indian calicoes for their human chattel that were, in turn, required to work the sugar fields of the West Indies that generated massive wealth for the semi-private companies operating out of London and Continental Europe. The last piece of the cotton process puzzle to elude Europeans was manufacturing, primarily because they had no ready access to raw cotton and the labor costs of European workers were orders of magnitude greater than that of rural Indians.Third, and in this reviewer’s opinion the real heart of the story, is Europe’s rapid and shocking domination of textile manufacturing beginning in the 1790s, and the associated role of slavery in the American South in making that happen.The construction of Samuel Greg’s simple little factory, Quarry Bank Mill, on the Bollin River outside of Manchester, England in 1784 might have seemed unremarkable at the time, but it set in motion “the most important event in world history,” according to the celebrated (Marxist, it must be noted) historian Eric Hobsbwam: the Industrial Revolution. Beckert argues that war capitalism – that aforementioned combination of slavery, colonial domination, militarized trade, and land expropriations – provided the foundation for industrial capitalism, and the manufacturing of cotton would be the driving commodity behind its development. Indeed, Beckert writes, “industrial capitalism was the offspring of war capitalism, the previous centuries’ great innovation.”War capitalism had given England control over many nodes in the global cotton network, but manufacturing still eluded its grasp. The primary challenge was labor rates. The only way the British could hope to compete with the Indians who had dominated the market for centuries was through massive productivity gains leveraging new technology. British innovations like the flying shuttle (1733), spinning jenny (1760), water frame (1769), and mule (1779) combined to produce breathtaking efficiencies. For example, it took an estimated 50,000 man-hours to produce 100 lbs. of raw cotton in India in the 1750s. By 1790, water-powered British factories around Manchester had cut the time to 1,000 hours, and would drop to 300 hours by 1795.Beckert writes that cotton manufacturing “was the first major industry in human history that lacked locally produced raw materials.” As British manufacturing skyrocketed, so too did the demand for (and price of) raw cotton. The production methods of the traditional suppliers – India and the Ottomans – simply could not keep up. Manchester traders turned to the West Indies and their large slave plantations to pick up the slack, which were effective but constrained by limited available land for expansion into cotton, fierce competition from sugar farming, slave rebellions (Haiti had provided 24% of England’s cotton before the 1791 revolt), and eventually the war with France.As a result, cotton farming in the United States exploded in the years just after independence. Indeed, American cotton for export was almost unknown before the mid-1790s. Not only did the revolt in Haiti deprive the Manchester mills of raw material, it also dispersed experienced cotton plantation managers to the low country of the American South. Moreover, when Eli Whitney invented the cotton gin in 1793 it increased productivity with American Upland cotton by a factor of 50 virtually overnight.The combined results of these events was staggering. From 1.5 million pounds of cotton produced in 1790 (2% of total US export value), output jumped to 36.5 million pounds in 1800 and climbed to 167.5 million pounds (32% of total exports) by 1820. By the start of the Civil War cotton accounted for nearly two-thirds of total US export values. No wonder so many believed “King Cotton” might force England into an open military alliance with the Confederacy. After all, American cotton had fueled the export of British yarn from 350,000 pounds in 1794 to a staggering 200 MILLION pounds in 1860. Unlike other potential competitors, the United States possessed virtually limitless land (much of it expropriated from Native Americans), an abundance of slave labor, and the capital necessary for the development of large-scale agricultural operations. Plantation owners quickly emerged as “the world’s most important growers of the industrial age’s most important commodity”; the Mississippi Delta “a kind of Saudi Arabia of the early 19th century,” in one of Beckert’s many memorable phrases.Dependence on American cotton was worrying to manufacturers in England. What if the rapidly industrializing, fledgling republic across the Atlantic should decide to invest in cotton manufacturing themselves? Or cut favorable deals with continental competitors? Worst still, how much longer was slave labor politically tenable? In an effort to diversify the sources of supply, the British government attempted to build experimental, southern-style plantations in India, complete with American cotton farmer managers. Every attempt failed. Growing cotton, it seemed, was only viable with slave labor.It was during the fourth epoch in cotton history that this thesis was dramatically put to the test, a period I’d call “post-bellum cotton colonialism.” At the start of the U.S. Civil War, American cotton accounted for 75% to 90% of all European manufacturing needs. From 3.8 million bales of cotton in 1860, U.S. cotton exports to Europe fell to virtually zero two years later. Prices for raw cotton quadrupled. The world was gripped by a “cotton famine,” what Beckert suggests was “the world’s first truly global raw material crisis.” England turned again to India, this time with no alternative. By 1862, India was supplying 75% of England’s raw cotton, up from just 16% two years before. Brazilian and Egyptian cotton production also jumped. “The crisis of American slavery in effect forced and enabled the reconfiguration of the cotton growing countryside” all around the world is a way that previous attempts failed to produce. But these efforts were aided by highly inflated raw cotton prices. What would a world with cotton but without slavery ultimately look like?The global cotton network responded with remarkable vigor and success. Raw cotton, which traded for $0.11 per pound in 1860 and remained as high as $0.24 by 1870 dropped to $0.07 per pound by 1894, all while global consumption of cotton doubled. So how were such feats of agricultural productivity achieved without slave labor? According to Beckert, it was driven by a new, powerful imperial state in partnership with industry. Between 1876 and 1915, a quarter of the world’s land surface was carved up among the industrial powers. In the wake of slavery, and reaching deep inland across the cotton growing regions of the world, a new system of credit, private land ownership, contract law and industrial infrastructure projects (railroads, canals, telegraphs) bolstered harvest yields to new heights, even across the former Confederacy where sharecroppers clawed their way back so that by 1890 they were producing twice their pre-war records and reclaimed their dominant position supplying the British mills.“Cotton and colonial expansion went hand in hand,” Beckert writes. England in India and Egypt, Japan in Korea and China, Russia in Central Asia, and the United States in the Native American lands of the West all aggressively pushed cotton production to meet global demand while growing domestic textile industries. Between 1860 and 1920, 55 million acres (roughly the size of Minnesota) across the globe – from the German colony of Togo in West Africa to the vast steppes of Central Asia – were repurposed, often forcefully by the state, for cotton production. Powerful nation states, in league with industrial enterprises, “secured huge swaths of territory on which cotton could be grown and they their accumulated bureaucratic, infrastructural, and military might to mobile cotton growing labor,” often by recasting social arrangements similar to those used to foster the growth of industrial wage labor in the early days of the Industrial Revolution.But what about the processing of all that raw cotton into usable yarn and thread, not to mention the manufacturing of finished products, such as the mass production of inexpensive shirts and dresses? That required an entirely different type of labor: wage labor. “It is difficult to overstate the importance and revolutionary nature of this new organization of human labor,” Beckert writes. Mobilizing large numbers of workers, perhaps thousands, paying them fixed wages and then monitoring their work and effort was an entirely novel concept in the early nineteenth century.Finally, we are today living in a world of global, post-modern cotton. “The empire of cotton has continued to facilitate a great race to the bottom”… as “capitalism both demands and creates a state of permanent revolution.” A mere century ago, a typical, middle-class American’s cotton dress shirt would have been produced from a cotton boll grown in Mississippi, woven and spun into thread in a Massachusetts mill, and then sewn into the final product in a New York City workshop. Today, we (Americans) wear cotton shirts from fibers likely grown in Uzbekistan or Senegal, spun and woven into thread in China or Pakistan, and manufactured into our hip, “Casual Friday Appropriate”, GAP buttoned-down Oxford in Bangladesh or Vietnam.Beckert stresses that cotton production has exploded in growth while moving almost effortlessly to the lowest cost producer. In 1860, when the American South ruled with “King Cotton,” the territory of the former Confederacy produced a relatively astounding 5 million bales of cotton, the vast majority of the world’s supply at the time. Yet, by 2012, the heavily federally subsidized United States cotton growing industry (which received $35 billion in subsides between 1995 to 2010), mostly based in Texas and Arizona, produced over three times that amount, some 17 million bales of cotton, or just over 14% of the world’s production. Meanwhile, cotton growing and manufacturing has returned to its roots, such as China, whose factories today account nearly half of the world’s spindles and looms, and whose fields generate nearly a third of the global annual cotton crop (India, another pre-industrial cotton society, has also re-emerged as a leading producer, accounting for a fifth of global raw cotton production today). Cotton has been a globalized industry since at least the late 19th century, but today’s globalization is different in some remarkable ways, according to the author, namely that modern multinational corporations, such as Walmart or the French retailing giant Carrefour, are both enormously influential buyers of finished cotton goods and yet, unlike before, largely independent from any insurmountable coercive pressure from specific nation states.In sum, “Empire of Cotton” is a brilliant history of an indispensible commodity, easily on par with such classics as Daniel Yergin’s “The Prize” history of petroleum or Peter Bernstein’s “The Power of Gold.”

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Free Ebook The Kids' Catalog of Passover, by Barbara Rush

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From School Library Journal

Kindergarten-Grade 5-Truly a mixed bag, this book contains songs, stories, riddles, recipes, crafts, and other activities, some of which are quite unusual or innovative. Rush and Schwartz include information about the holiday's history and customs around the world and a well-done version of the Exodus story. Unfortunately, the folktales are uneven; some are quite interesting and well written, while others are precious or repetitive. The intended audience for the book is unclear. Though it is written in second person, as if speaking to a child, youngsters are unlikely to read the dense, small type. The crafts, ranging from simple paper-bag plague puppets to a sewn afikoman bag or an illuminated page of a Haggadah, will appeal to varying age groups. The explanations of the holiday are clear, but the writing gets redundant and trite at times. The black-and-white illustrations scattered throughout give the book a patchwork effect. They include photos, which are clear, if obviously posed, and a mix of children's and adults' art of varying quality. An extensive bibliography is appended. On the whole, the book comes across as a homemade effort. However, libraries serving large Jewish communities with high demand for Passover activity and recipe books may want to consider it as an additional purchase.Amy Lilien-Harper, Ferguson Library, Stamford, CT Copyright 2000 Reed Business Information, Inc.

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Review

This comprehensive guide to Passover teaches, entertains and celebrates through stories, customs, recipes, games, crafts and songs. The black-and-white photographs and illustrations (drawn by professionals and children) depict new and traditional ways to celebrate Passover with the family, synagogue and community. A 2000 Parents' Choice® Recommended winner.Reviewed by Parents' Choice® 2000 -- From Parents' Choice

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Product details

Grade Level: 4 - 6

Series: Kids' Catalog

Paperback: 384 pages

Publisher: The Jewish Publication Society (January 1, 2000)

Language: English

ISBN-10: 0827606877

ISBN-13: 978-0827606876

Product Dimensions:

8 x 0.5 x 10 inches

Shipping Weight: 1.3 pounds

Average Customer Review:

4.5 out of 5 stars

2 customer reviews

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Passover is focused on kids and telling the story. Passover has a lot of fours. There are four cups, four sons/children, and four questions, so therefore the book has four PARTS and four CHAPTERS in each PART. Part One is the TELLING (haGaddah) of The Story; Part Two is Preparing for the Seder; Part Three is At The Seder; and Part Four is Concluding The Seder. Each chapter in the Parts is filled with stories, games, explanations, songs, insights, recipes, and craft projects. For example, in Chapter One, the Exodus story is introduced to the reader with stories, songs (an Exodus rap), midrash stories, a riddle, a game ("I am packing for the Exodus, I am taking an Apple, Bitter Herbs, C..., D..."), and a craft project (make a mural). The Chapter for the plagues tells how to make a plague puppet. In the Chapter on Miriam and the Hebrew Women, the reader can learn to make a tambourine. In Chapter 7, On The Seder plate, you learn about maror and betzah customs from around the world, learn to make charoses, or a charoset pyramid, or play a "nut" game. Plus there is a recipe for red yemenite eggs. Chapter 8 on Matzah contains matzah customs, recipes, riddles, and folkstories. In Chapter 9, learn to make a "Four Questions" kippah to wear. In Chapter 10, on Dayenu, you can learn to add new stanzas for your own updated Dayenu, or make a micrography, or perform an interesting custom with scallions. In Capter 14, learn about modern Exoduses. And in Chapter 16, learn classic and new songs from Adir Hu, Ehad Mi Yodei-a, QUEN SUPIESE, Had Gadya, and Lo Yisa Goy. A must for any household with kids.

This book is wonderful -- full of useful information for kids and adults alike. Both novices and know-it-alls will find something new here. We plan to incorporate some of this material into our family seders this year.

The Kids' Catalog of Passover, by Barbara Rush PDF
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The Kids' Catalog of Passover, by Barbara Rush PDF

The Kids' Catalog of Passover, by Barbara Rush PDF

The Kids' Catalog of Passover, by Barbara Rush PDF
The Kids' Catalog of Passover, by Barbara Rush PDF

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